作　　者： ;

机构地区： 中山大学旅游学院

出　　处： 《广西民族大学学报（哲学社会科学版）》 2018年第6期85-92,共8页

摘　　要： 通过对多地剪纸艺术生产性保护实践的案例分析,发现政府、群众文化团体和传承人(企业)应在非遗生产性保护过程中进行社会化分工,前者负责非遗文化的普及和推广,而后者则以企业化形式进行技艺创新和艺术创作。在企业化运作模式下,传承人可以兼顾经济动机和文化传承责任,通过企业经济收益提升,在发展中解决传承人梯队培养和生产流通销售体系建设等实践难题。政府、群众文化团体和传承人能否促进和扩大本地群众对非遗文化在现代语境下的生活性参与,是决定生产性保护整体效果的关键因素。 The case analysis of productive protection of paper-cutting in different places in China suggests that social division of labor should be clearly made in the process of production protection among government,mass cultural groups and inheritors(enterprises)with the former being responsible for the popularization and promotion of intangible culture while the latter for technological innovation and artistic creation operated in the form of enterprise.Under the mode of enterprise operation,inheritors can take into account both economic motivation and the responsibility of cultural inheritance,so as to solve the practical problems such as the training of inheritors in all echelons and the construction of production,circulation and sales system in the process of development through the pursuit of economic benefits of enterprises.The key factor to determine the overall effect of productive protection is whether the government,mass cultural organizations and inheritors can promote and raise the participation of intangible culture among the local people in their daily life under a modern context.

关 键 词： 非物质文化遗产 生产性保护 剪纸艺术

领　　域： [艺术—艺术设计]