作 者: ;
机构地区: 香港浸会大学
出 处: 《重庆工商大学学报(社会科学版)》 2003年第1期19-24,共6页
摘 要: 四声递用与抑扬清浊之说 ,便是古人在“进一步安排”上用心而作出的发挥。有关这两方的论述 ,见于明清两代的诗论家 ,尤以清人论述为多。本文将就其意见进行疏释。 The repetition of four tones of rising, falling, pure and impure Chinese pronunciation aims to give free rein to further arrangement for poems creation of ancient Chinese, which is seen in poetry commentators in Ming and Qing Dynasty and most in Qing Dynasty. This paper explains, analyzes and supplements the four tones.
领 域: [文学—中国文学]