作 者: ;
机构地区: 广东外语外贸大学中国语言文化学院
出 处: 《华南师范大学学报(社会科学版)》 2013年第3期107-111,163,共5页
摘 要: 女同性恋书写通常被认为是女性反抗"菲勒斯"中心的一种策略,而文本采用的叙事人称常常可以透露出作者的身份意识。从"五四"时期到20世纪末,中国现当代女作家女同性恋书写的叙事人称发生了明显变化。这种变化,表面看来是女性已获得了主体的话语地位,实际上从侧面展现了女作家对女性性别认同的危机,暴露了女作家在以男性为中心的文化语境中的性别焦虑。 Lesbian writing is often considered to be a strategy that females use to resist 'Phallocentrism'.but the narrative person that is used in texts usually reveals authors' sense of identity.From May Fourth Movement to the new century,the narrative person of Chinese contemporary women writers' lesbian writing has changed significantly.The cliange seems lo reveal on the surface that females have obtained the status of the main discourse.However,it shows the crisis of women writers' female gender identity from one side,and reveals women writers' gender anxiety in a male-centered cultural context.
关 键 词: 女同性恋书写 叙事人称 中国现当代女作家 性别焦虑
领 域: [文学—中国文学]