作　　者： ;

机构地区： 华南师范大学人文学院

出　　处： 《湛江师范学院学报》 2003年第1期45-47,共3页

摘　　要： 康德以前的天才观往往徘徊于神与人之间 ,逗留于说与不可说之界。该文试图通过对康德天才观的自然性与社会性 ,独创性与典范性 ,想象力与理解力关系的勾勒和阐发 ,探寻其天才思想的现实基础、多维特征以及深层本性 。 Before Kant the concept of genius usually went back and forth between the absolute being and the person, and stopped over for a time in the boundary of 'say' vs. 'can't say'. This paper tries to explore the actuality foundation, many dimensional characteristics and deep-layer nature of Kant's concept of genius, through delineating and elucidating its natural, social, unique and typical features, and the relation between imagination and comprehension, thus defining and arguing the human nature of genius.

关 键 词： 自然性 社会性 独创性 典范性 想象力 理解力 艺术创造 审美意象 康德 审美天才观

领　　域： [哲学宗教—外国哲学]