作　　者： ;

机构地区： 南开大学文学院

出　　处： 《苏州教育学院学报》 2012年第2期16-19,共4页

摘　　要： 《花间集》作为唐五代时期的流行歌曲总集,其中的词作与当代流行歌曲有许多相通之处,但由于特定的时代背景和文化环境,二者之间亦存在较大差别。从题材上看,二者主要表现了对生命孤独的体验,但在当代流行歌曲中,游戏爱情的孤独感得到了更为强烈的凸显。从性别视角看,花间词主要是男性的代言拟情之作,而当代流行歌曲抒情主人公的性别则有模糊化的倾向,同时当代男性的"雌化"倾向更为明显。从情感内涵看,若说花间词表现的是古代文人的"失志"之恸,当代流行歌曲展现的则是今人的"失恋"之悲。 As the popular songs of Tang and Five Dynasties,Hua Jian Ji is similar to contemporary popular songs. However,they also have many differences according to their specific background and cultural environment. On subject matters, they both express the experience of loneliness, but the loneliness caused by love game is strengthened in contemporary popular songs. From a gender perspective,＂ Hua Jian Ci＂ reflects the masculine consciousness, while the gender inclination is undefined and the inclination of .feminization is strengthened in contemporary popular songs. On emotion expression,＂ Hua Jian Ci＂ mainly expresses ancient literati＇s despair to the life goals, while contemporary popular songs mostly convey modern people＇s disappointment in love.

关 键 词： 花间词 当代流行歌曲 失恋 失志

领　　域： [文学—中国文学] [艺术—音乐]