作　　者： ;

机构地区： 五邑大学文学院

出　　处： 《五邑大学学报（社会科学版）》 2021年第2期39-43,93,共6页

摘　　要： 清代广东女性词坛一改"无词"局面而渐成规模。目前考得女性词人19人,存词200余首,其中闺秀词是主体。体制上以小令为主而长调日盛,闺阁绮语之外实现了词体表现功能的多元化,婉约绮媚的风格之外出现了清旷豪雄之词风,这三点体现了清代广东女性词对传统"艳科"范式的沿袭与突破。产生突破的原因则与前代文学积淀、清代词坛风气与其时广东女性词人渐趋名士化的精神气质相关。清代广东女性词填补了广东词坛女性填词的真空地带,展现了清代广东女性的日常生活与交际变化,甚至起到存史之功。 In the Qing Dynasty,there emerged a number of female ci poets in Guangdong. 19 women ci poets have been discovered who authored over 200 ci poems,most of which belonged in the boudoir style. Their creations were dominated by short lyrics though longer ones became increasingly popular. They diversified the expressive function and styles of boudoir poetry and reflected the inheritance and breakthrough of the traditional boudoir poetry. The causes for the breakthrough were related to the literary accumulation of the previous generations,the general mood of the poetry circles in the Qing Dynasty and the scholarly temperament of the female poets in Guangdong at that time. The literary value of Guangdong’s women ci poetry in the Qing Dynasty lies in that it filled a vacuum,and its cultural significance lies in that it displayed the daily life and communication changes of Guangdong’s women in the Qing Dynasty,and that it even played a role in preserving history.

关 键 词： 清代 广东 女性词

领　　域： [文学—中国文学]