作　　者： ;

机构地区： 湖南师范大学文学院

出　　处： 《株洲师范高等专科学校学报》 2001年第3期19-22,共4页

摘　　要： 中国传统剧论是以“曲”为本的戏剧本体论，它受传统诗学理论影响较深，晚明曲论家祁彪佳在《远山堂曲品》和《远山堂剧品》中突破传统剧论观念，论剧以“事”（剧戏）为本，抓住了戏曲作为叙事文学的本质特征，祁彪佳的戏曲理论具有朴素的现代戏剧美学意义，对以后戏曲研究模式的转换颇有启发。 Chinese traditional theory of drama's main part,deeply influenced by traditional poetical theory,holds that the singing part is drama's main part.QI Biao-jia,a critic of qu in the late Ming Dynasty,breaking free from theatrical conventions and grasping the essential feature of traditional opera which is actually narrative,put forward in his Yuan Shan Tang Commentaries on Qu and Yuan Shan Tang Commentaries on Drama the theory of taking plot as the main part when commenting a drama,which has aesthetic significance of modern drama and enlightens the later generations to reform their mode of drama research.

关 键 词： 祁彪佳 戏剧本体论 曲 事 戏曲理论 远山堂曲品 戏剧美学 远山堂剧品

领　　域： [文学—文学理论]