作　　者： ;

机构地区： 华南师范大学文学院

出　　处： 《安徽理工大学学报（社会科学版）》 2014年第5期60-64,共5页

摘　　要： "灵"作为较原始而又富有生机的中国古典美学范畴之一,源自古老的巫文化信仰,经历长期的历史嬗变,衍生出性灵、灵通、灵活、灵机、趣灵等审美内涵,为中国历代文人学者广泛使用,在诗话、评点、画论等中国传统艺术批评领域中频繁出现。古典美学领域中的"灵"具有神秘性、情感性、褒义性等多重文化特征,它超越了时空的距离,体现了中国文人的生命追求和诗性智慧。 The category of ＂spirit＂, as a more primitive and energetic category in Chinese classical aesthetics and derived from the old witch cultural beliefs and through the long history of evolution, has produced such aes- thetic connotations as spirituality, adaptation, flexibility, cleverness, funny spirits, etc. , which are widely used in the field of Chinese traditional art criticism, such as poetry, comments, painting theory, by China literati and scholars . In the field of classical aesthetics, ＂spirit＂ assumes multiple mysterious, emotional and commendatory features, transcending temporal and spatial distance and reflecting the Chinese literati＇s life pursuit and poetic wisdom.

关 键 词： 灵 巫 范畴 性灵

领　　域： [文学—文学理论]