作 者: ;
机构地区: 中山大学南方学院
出 处: 《成都师范学院学报》 2017年第5期75-78,共4页
摘 要: 山东"姑娘腔"是一个涵盖曲牌、民间演剧、巫傩三层内涵的相对复杂的概念,其同时出现于戏曲与巫傩场合。一种观点认为"姑娘腔"是由跳神的巫歌巫舞发展而来,"姑娘腔"在称呼、表演形态上与巫歌巫舞颇为相似。 Shandong girls' tune is a relatively complex concept covering three layers ofconnotation including names of the tunes,folk drama and witch exorcism.It appears on the occasions of drama performance and witch exorcism simultaneously. One viewpoint thinks that the girls'tunedevelops from the witch's songs and dance becausethe girls' tune is similar to the witch's songs and dance in addressing and performance style.
领 域: [艺术—舞蹈]