作　　者： (何庆华）; ;

机构地区： 华南理工大学外国语学院

出　　处： 《邵阳学院学报（社会科学版）》 2009年第5期90-94,共5页

摘　　要： 借助拉康关于语言与人的主体建构的理论对独幕诗剧《莎乐美》进行重新解读,可以发现,作者通过对莎乐美自我身体欲望的书写,以一种反常规、反理性的诗意表达方式,颠覆了"菲勒斯逻各斯中心主义"中的男性优势。更重要的是,通过与其他男性主体建立新的主体间关系,莎乐美超越了即时的两性冲突,摆脱了文学和历史对女性言说的限制,自由地探索自己的身体和无意识,并在这个完全敞开的建构过程中体验一种自我表达的极度愉悦,或曰"狂喜"。 With Lacan＇ s theory about language and the construction of human subject to re - read the one - act drama Salome by Oscar Wilde, it can be found that, through the account of Salome＇ s desire of her body, the dramatist subverts masculine superiority in ＂phallus -logos -centrism＂ in an unusual and irrational poetic way. Moreover, by constructing new inter - subjective relations with other male subjects, Salome transgresses the existent conflicts between the two sexes, liberates herself from the strictures imposed upon women by history and literature, explores her body＇ s desire and her unconsciousness freely, thus experiences the extreme enjoyment of self - expression or ＂jouis- sance＂, in the totally ＂open＂ process of construction.

关 键 词： 语言 欲望主体 自我 反叛 建构

领　　域： [文学—世界文学]