作 者: ;
机构地区: 佛山科学技术学院文学院英语系
出 处: 《四川外语学院学报》 2002年第5期34-36,52,共4页
摘 要: 莎剧《暴风雨》中的殖民主义主题是近代制作、表演、评论该剧时一个不可回避的因素。人们对它的认识源于一种道德责任感,而莎界对凯列班的讽刺逐步深化了这一认识。达尔文的进化论是人们认识它的理论依据。本森、特里两人的表演和米勒的评论突出了剧中的殖民主义主题。 In the recent centuries, the colonial theme of Shakespeare's The Tempest has appeared to be an essential element in its production, performance and criticism. The cognition of the colonialism in The Tempest stemmed from a moral obligation and became deepened in the satire on Caliban in Shakespeare's world. Darwin's evolutionary theories are the theoretical basis for this cognition. F.R.Benson and Beerbohm Tree's performance and Jonathan Miller's criticism combined to highlight the theme of colonialism in The Tempest.
领 域: [文学—其他各国文学]