作　　者： ;

机构地区： 香港中文大学

出　　处： 《济南大学学报（社会科学版）》 2018年第6期46-68,157-158,共23页

摘　　要： 在文学理论的研究领域里,俄国形式主义通常都被视为以科学方法处理文学内在问题的倡导者。他们为文学研究树立了新纪律,主张文学研究必须以文学本身为目标,必须是一种独立自主的活动,而不是其他学科的附庸。与主流学界所呈现的上述形象恰恰相反,本研究发现,俄国形式主义者对"文学性"的理解和定义,其实与20世纪初新兴的电影影像逻辑和立体未来主义的视觉实验,有着紧密的历史因缘。因此,本文尝试透过大量的史料勾沉和文本分析,将俄国形式主义的理论观点重新置放在立体未来主义和构成主义等苏俄左翼前卫艺术运动的语境中,进行再解读;希望藉此点明,俄国形式主义在文学研究领域里所推动的范式转移运动,与苏俄左翼前卫艺术工作者在电影和绘画等视觉艺术领域所进行的实验创作之间的历史车翏车葛。最终,本文希望初步阐明,包含在俄国形式主义文学理论中独特的视觉经验或视觉性;并在结语部分进一步指出,隐含在苏俄左翼前卫艺术理论和实践中的文化政治意涵。 Russian formalism is often considered pioneer in its scientific approach to problematic intrinsic to literature.In proposing literary studies as an autonomous field of research that aims for literature itself,rather than a subordinate of other subjects and purposes,the Russian formalists had established a new discipline,or guiding principle for literary studies.Contrary to such a stance generally held by academic mainstream,the present study situates the Russian formalists in a different position.Actually,there had been substantial exchange,historically,between Russian formalists’primary concerns of"literariness/literality,"and the newly arisen cultural logic of cinematic images in early 20th century as well as the visual experiments of Cub-futurism.This paper reconsiders such historical converges and exchanges byways of textual analysis,and in revisiting a great number of historical documents hitherto overlooked.In doing so,I attempt to offer a re-reading of Russian formalist theory by contextualizing its place in Soviet-Russian leftist avant-garde art movement,specifically that of Cub-futurism and Constructivism.Contextualization effort such as this should point out the close historical ties existed between the Russian formalists’quest for a paradigm shift in the domain of literary studies on one hand,and on the other the creative experimentations undertook by Soviet-Russian leftist avant-garde artists in various fields of visual arts,such as painting and film making.Lastly,my study aims to elucidate,albeit tentatively,the unique visual experience,or"visuality"inherent in Russian formalist literary theories.Following this,the paper concludes with a discussion of the cultural-political significance that underlies leftist avant-garde art theories and practices in Soviet Russia.

关 键 词： 俄国形式主义 俄国未来主义 超理性语言 电影诗学 现代主义文学的电影视觉性

领　　域： [文学—中国文学]