作　　者： ; (郭淑梅）;

机构地区： 香港浸会大学

出　　处： 《学术月刊》 2011年第7期116-122,共7页

摘　　要： 萧红居港期间创作了两部长篇代表作《呼兰河传》和《马伯乐》,三个短篇《后花园》、《小城三月》、《北中国》和一个口述小说《红玻璃的故事》,可说是萧红小说创作的高峰期。值得注意的是,这两部长篇小说都涉及重写短篇题材。这一独特现象为人们考察萧红居港期间的创作自觉意识及其"民族性"思考提供了解读的空间。萧红在《呼兰河传》里,对短篇小说《家族以外的人》、《后花园》中的有二伯和磨倌等形象进行了再造与重写。在小说重构过程中,萧红游走于情感诗意与理性概括之间,叙述视角、立场和表现主题亦发生相应变化,从中可以看出萧红居港时期的小说创作题旨及其内在规律,以及她如何执着于作家姿态的独立性,而成就了她在居港期间小说创作的独特性。 When Xiao Hong resided in Hong kong, she created two masterpiece novels, ＂Tales of Hulan River＂ and ＂Ma Bole＂ ; three short stories , ＂Back Garden＂, ＂Little Town in March ＂ and ＂North China ＂ and an oral novel ＂The story of red glass＂. This period is recognized to be Xiao Hong＇s peak period for creative novel writing. It should be noted that both novels involve rewriting short subjects. As we examine Xiao Hong ＇s creative conscious awareness and her ＇national character＇ thoughts, during her residence in Hong kong, this unique phenomenon provides space for reading interpretation. This article investigates Xiao Hong in her reconstruction process, her narrative position in her novels and how the writer walked between emotional poetry and common rational thinking through the ＂Tales of Hulan River＂and ＂Family Outsider＂, ＂Back Garden＂ and other writings, in character reconstruction and rewriting perspective. From that, it is pointed out Xiao Hong, in the period of her residence in Hong kong, was obsessed with the writer＇s independent attitude, and developed her theme for creative novels and her internal rules.

关 键 词： 现代女性文学 萧红居港小说 短篇题材重写 独立作家姿态 呼兰河传

领　　域： [文学—中国文学]