机构地区: 华南师范大学文学院
出 处: 《汕头大学学报(人文社会科学版)》 2013年第3期51-56,96,共6页
摘 要: 结合20世纪90年代有关"个人化写作"的话语播撒来分析其所表征的诗学意义,从史的角度追溯"个人化写作"的历史源脉,并结合90年代消费主义文化转型反思"个人化写作"诗学生成的逻辑必然性。"个人化写作"祛除了主流诗学话语的权力桎梏,形成了多元化的文学叙事景观,却未能在破除话语禁忌的文化地带重构文学在当下的审美价值形态。如何填补"个人化写作"价值"悬空"的虚妄黑洞,成为新世纪文学必须面对的诗学命题。 This article analyzes the poetic significance of the representation of 'personal writing' based on the dissemination of its discourse in the 1990s.It traces the historical development of 'personal writing' and reflects on the logical necessity of the poetic production of 'personal writing' as related to the consumerist cultural transformation in the 1990s.Having freed itself from the dominance of mainstream poetic discourse,it helps create a landscape of pluralistic literary narrative,but fails to reconstruct the aesthetic value form of literature in the current situation.It remains a poetic mission for literature in the 21th century to inject value into 'personal writing'.
关 键 词: 总体性 个人化写作 消费文化 诗学生成 文化反思
领 域: [文学—中国文学]