作　　者： ;

机构地区： 暨南大学文学院

出　　处： 《广州大学学报（社会科学版）》 2014年第3期78-81,共4页

摘　　要： 齐美尔的美学思想在对生命本质的探索、对死亡的洞见、对生命个性的倡扬、对生命价值的追求中包蕴着极其丰富而深刻的生命意识。正是由于这种生命意识的自觉和张扬,齐美尔把生命高扬到世界终极本体的高度,以生命作为其哲学研究的逻辑起点与进行现代性思考和批判的美学维度,并以此来建构其哲学与美学理论体系。齐美尔认为世界的本源是生命,生命的本质在于超越,死亡是生命的创造者,主张包括艺术在内的文化根源于生命,是生命的形式。只有根据个体生命内部的精神需求来建设文化,美和艺术才能成为生命的意义依靠。面对现代性的困境,齐美尔提出了审美化生存的救赎方式,并认为根源于生命的艺术的完成也是生命意义的完成和实现,生命性的艺术是走出现代性困境的途径。 Simmel＇s aesthetics reflects death insights, advocacy of life personality, rich and profound life consciousness in exploring the nature of life, the pursuit of the life value. It is because of this life consciousness and advocacy that Simmel regards life massively high, and treats life as the starting logic point of the philosophical re- search and as the aesthetic dimension for the modem thinking and criticism, and constructs its philosophical and aesthetic theory system accordingly. Simmel considers life the origin of the world. He thinks that the essence of life lies in the transcendence, and death is the creator of life. He advocates that culture, including the arts rooted in the life, and is a form of life. Meaning of beauty and arts for life can only be established according to the spiritual needs of individual. Confronted with the dilemma of modernity, Simmel puts forward the aesthetic way of salvation. He believes the completion of the arts rooted in life is implementation of the meaning life, and the life of arts is the way out of the dilemma of modernity.

关 键 词： 齐美尔 美学思想 生命意识 现代性批判

领　　域： [哲学宗教—美学]