作　　者： ;

机构地区： 吉林大学文学院

出　　处： 《山西大学学报（哲学社会科学版）》 2007年第2期60-65,111,共7页

摘　　要： 鲁迅作品呈现着“人与鬼的纠葛和交融”,基于败落家族后系子孙承受的“鬼”的梦魇的切身体验,鲁迅对“人鬼纠葛”的社会中人生悲剧的展示极其深入,显示出《新青年》同人倡导思想启蒙之不足;鲁迅作品同时又存在着一个“人鬼交融”的世界,这与他对“道教”与“道士思想”的区分相一致,根源于他早期思想中对民间宗教的肯定和追寻,是他审视和批判人鬼纠葛的社会根基之一,同时,又是在补救“五四”新文化倡导之局限。 There＇s obvious reflection of ＂Entanglement and Combination of Human and Ghost＂ in Lu Xun＇s works. He had gone through the nightmare of being a ＂ghost＂ when the family was declined. Therefore, his description of social tragedy was quite thorough, representing the limitation of New Youth ideology. In the mean time, there＇s a world of ＂Combination of Human and Ghost＂ in Lu Xun＇s works. This is closely related to his separation of ＂Taoism＂ and ＂Taoist Thought＂ which was derived from Lu Xun＇ s early chase for religion. This is also Lu Xun＇s critical social root for his thought and the remedy for New Culture movement limitation.

关 键 词： 鲁迅 人鬼纠葛 道教 新文化

领　　域： [文学—中国文学]