作　　者： ;

机构地区： 嘉应学院文学院

出　　处： 《五邑大学学报（社会科学版）》 2005年第4期24-28,共5页

摘　　要： 黄遵宪作为客家人,其浓郁的客家情结对其诗歌理论和创作实践有着巨大影响。在理论方面,他力倡“新派诗”,主张“我手写我口”;在诗歌创作上,他继承粤东客家文化传统,有意识地以客家方言入诗,并顺应时代潮流,将新观念融于诗作之中,形成了自己独具一格的诗风。 As a Hakka, Huang Zunxian＇s Hakka complex exerted a strong influence on his poetic theory and practice. In the aspect of theory, he strongly advocated “New Poetry” and argued that poets should writes out their feelings with their hand; in the aspect of composing poetry, he inherited the Hakka cultural tradition prevalent in the east of Guangdong. He not only consciously used Hakka dialect in his poetry, but also put new ideas in it, forming a unique poetic style of his own.

关 键 词： 黄遵宪 我手写我口 客家情结

领　　域： [文学—中国文学]