作　　者： ;

机构地区： 暨南大学外国语学院

出　　处： 《暨南学报（哲学社会科学版）》 2013年第2期67-75,162,共9页

摘　　要： 当代华裔美国作家汤亭亭在小说《孙行者》中继承了欧洲狂欢化文学传统,创造性地运用狂欢化艺术形式和手法,将之融入其美国经验和族裔经验中,从而实现了创作视野和艺术表现形式的重大突破,展示了华裔文学不仅是华裔经验的书写,同时也具有世界文学的普遍艺术追求和人文关怀。汤亭亭这一艺术实践为人们探索华美文学如何兼具特殊性和普遍性,反思华美文学批评话语"重意识形态,轻文学审美"之片面性,正确评价华裔美国文学的文学地位提供了启示。 In Tripmaster Money: His Fake Book,Maxine Hong Kingston inherits the European literary tradition of carnivalism.As a result,She displays her creative use of literary techniques of carnivalization by integrating her understanding of carnival spirit with the American ethnic experience,thus achieves a major breakthrough in both literary perspectives and artistic forms,showing that Chinese-American literature is not limited to the writing of Chinese-American experience,but is also rich in humanity spirit and has its own aesthetic pursuit.Kingston ’s artistic exploration sheds new light on discussions on Chinese-American literature’s particularity and universality,and on queries of an ideology-orientation in Chinese-American literary criticism.

关 键 词： 汤亭亭 孙行者 巴赫金 狂欢化文学 艺术创新

领　　域： [文学—世界文学]