作 者: ;
机构地区: 嘉应学院文学院
出 处: 《凯里学院学报》 2013年第4期116-118,共3页
摘 要: 《太上感应篇》在《子夜》的开头和结尾频繁出现,它是作者有意为之的一个标志性符号或曰意象。透过这个意象,不仅可以更深刻地理解作者的写作意图以及文本的深层意蕴,还可窥视三十年代中国社会发展的现实状况及未来走向。 The Book of Rewards and Punishments appears frequently at the beginning and the end in Midnight. It is a signature symbol or imagery of the authorg intention. By this imagery, we not only understand the intention of the authorg writing and the deep meaning of the text deeply, but also peep the reality of Chinag social development and future trends in the 1930s.
领 域: [文学—文学理论]