作　　者： ;

机构地区： 嘉应学院文学院

出　　处： 《石河子大学学报（哲学社会科学版）》 2012年第3期99-102,共4页

摘　　要： 蒲风是中国诗歌会的骨干人物。他不仅撰写了大量的白话新诗,还积极探讨诗歌理论。蒲风诗论在其诗歌创作中有着完美的演绎,既贯穿着"捉住现实"的精神,也不断地创造着诗歌的新形式。他以自己丰厚的诗歌创作实绩为20世纪30年代中国诗坛增添了光彩,也为新诗走向大众化打下了不可磨灭的印迹。 Pu Feng is the leading spirit of Chinese Poetry Association. He not only wrote many vernacular new poems,but also actively explored the new poetry theory. Pu Feng＇s poetry theory finds its applica- tion all the way through his poem writing. He not only ran the spirit of＂catch reality＇through his crea- tion,but also developed new forms of poetry. His poems added luster to Chinese poetry in the 1930s, meanwhile paving the way for the popularity of new poems among commons.

关 键 词： 蒲风诗论 蒲风诗歌 演绎

领　　域： [文学—中国文学]