作　　者： ;

机构地区： 华中师范大学外国语学院

出　　处： 《外国文学研究》 2005年第2期133-138,共6页

摘　　要： 在日本作家中岛敦的作品研究中,向来都是把《盈虚》和《牛人》作为“古俗”系列、把《弟子》作为单篇独立。然而三部作品的主要材料都来源于《春秋左氏传》的后半部,可称之为“左传类故事”。三作品中历史事件的发生时代、地点及与孔子的关系,情节的紧张与突发性特色,主人公的性格背景及其命运的悲剧色彩等等,恰恰标志着中岛创作走向的流变,以及他文学创作真实用意的流露。 In the studies of the Japanese writer Nakajima's works, Y i ngxu and Ox-man have always been put into the Ancient Tradition Series, b ut Disciple has been st udied independently. As a matter of fact, the key material of these three works derives from the Chinese work—the latter part of Zuoshi Chunqiu Zhuan. The three stories may be called The Zuozhuan Series. The time and place of the historical events in these st ories, the relationship between the events and Confucia, the thrilling plots, the abruptne ss of the events, the upbringing of the protagonist and his tragic fate, all mark the development and changes of Nakajima's writing and betray the true intention of his liter ary creation.

关 键 词： 中岛敦 小说 创作流变 左传 日本作家 文学评论

领　　域： [文学—其他各国文学]