作　　者： ;

机构地区： 五邑大学文学院中文系

出　　处： 《中国文学研究》 2003年第3期18-22,共5页

摘　　要： 宋代人文品味的提升与诗画一体的观念使尚意成为突出的美学风尚。它主要体现在重精神情趣 ;崇尚简淡 ,以少胜多。在文化背景与美学渊源上 ,尚意与佛道思想对士人的浸染。 The literary improvement of the people in Song dynasty and the Concept of tasting poem and drawing as a unit have made 'Shangyi' become a aesthetic vogue of that time It was mainly shown on the respect of advocation on spiritual sentiment as well as 'simple and elegant' on style of writing In the view of the cultural background and aesthetic history,Shangyi has intimate relationship with two aspects:The great affection of the thinking of Buddhism and Taoism on the bookman,as well as the affection of aesthetic relic from Wei and Jin dynasties and poet Wangwei.

关 键 词： 宋代 诗画一体 美学 尚意 佛道思想 精神意趣

领　　域： [哲学宗教—美学]