作　　者： ; ;

机构地区： 广州大学松田学院大学英语教学部

出　　处： 《齐齐哈尔大学学报（哲学社会科学版）》 2014年第3期117-120,共4页

摘　　要： 译者在翻译过程中难免在译作中渗透自我的写作和翻译风格,而这些译者的风格也直接影响着原作风格的诠释。因此,译者应该正确处理原作风格和自我风格的矛盾关系,在"千面人"和"性格演员"中做出抉择。在《唐诗三百首》译文中,作为译者,许渊冲在追求其以押韵为特色的风格中,却是以牺牲原诗歌的风格为代价。其译本的得失告诉我们:理性的译者应该是能够诠释原作风格的"千面人",而不是以抹杀原作风格而彰显自我风格的"性格演员"。 In translation, it is inevitable for the translator to permeate his writing or translation style in his works and his style will have direct influence on the representation of the style of the original works. As a translator, he should deal with the conflicts between his style and the original style of the works so as to choose to be ＂a versatile genius＂ or ＂a peculiar actor＂. In the translated works ＂300 Tang Poems＂ ,Xu Yuanchong seeks his style characterized by rhyme at the cost of the original style of the works. His failure tells that a reasonable translator should follow wholeheartedly the style of the original work instead of highlighting his own style at the sacri- fice of the original style.

关 键 词： 译者 风格 许渊冲 唐诗三百首

领　　域： [语言文字—英语]