作　　者： ; ; (谭广鑫）;

机构地区： 华南师范大学体育科学学院

出　　处： 《搏击（武术科学）》 2015年第6期59-61,共3页

摘　　要： 长期以来,武术技击本质论限制了对套路审美特征的认识与探索,人们在是否保留套路中技击的问题上争得面红耳赤。研究认为:现代社会武术唯技击的发展是行不通的,相反甚至有人认为技击就不属于武术范畴;套路阻碍武术技击性,因此,要想发展套路就要弱化技击;撇开"武术属于体育,但高于体育"的矛盾阐述,放手将武术以体育的模式发展;应肯定武术套路的艺术形式,并用艺术的审美眼光,摆脱技击的绝对束缚,任其自由创新发挥。最终将高度发展的套路艺术作为代表武术吸引全世界的眼球,并以此为契机,饮水思源,使他们对中华传统武术产生浓厚的兴趣。 For a long time, the essentialism of wushu technology limits the understanding of routine aesthetic characteristics and exploration. People have huge debates about the question that whether to keep combat in the routines of being flushed. The research holds the view that：the development of modern society wushu to combat doesn＇t work. What＇s more, some even thinks that combat does not belong to the category of wushu; wushu routines hinder the combat, such being the case, to develop routines will weaken the attack intention. People should give up the idea that wushu belongs to sports, but higher than sports. And to make wushu develop in the form of sports mode. People should be sure the art form of wushu,and aesthetic vision art, and give up the absolute dominance of combat. In the end, material arts will be a highly developed art as a representative of the wushu routines to attract the attention of the world, and as an opportunity, to make foreigners be interested in Chinese traditional Wushu.

关 键 词： 武术 套路 技击 弱化

领　　域： [文化科学—民族体育] [文化科学—体育学]