作　　者： ;

机构地区： 广州大学人文学院

出　　处： 《湘潭大学学报（哲学社会科学版）》 2020年第3期146-151,共6页

摘　　要： 北美新移民文学的战争书写在中西跨文化视域下,以人道主义立场关注中国近代以来的战争以及海外华人经历的战争灾难,挖掘被集体记忆遗忘的历史,反思战争的残酷性;以独特视角关注底层、边缘群体,塑造另类英雄的光辉形象;以流散书写隐喻自我身份,凭借全球化视野消解西方霸权,建构身份的合法性。这些作品,突显了写作主体的双重视野,彰显着中西文化的碰撞与对话。 The war writing of new immigrant literature in North America is a cross-cultural creation influenced by both Chinese and Western cultures,it focus on the wars in modern Chinese history and the calamities of war experienced by overseas Chinese,from a humanitarian standpoint,writes the forgotten history,reflects on the cruelty of the war.From a unique perspective,the authors pay attention to the low and marginal groups,and create the brilliant images of special heroes.They also use diasporic writing as a metaphor for self-identity,and use the perspective of globalization to dispel Western hegemony and construct the legitimacy of identity.These works highlight the double perspective of the writers and highlight the collision and dialogue between Chinese and Western cultures.

关 键 词： 新移民文学 战争书写 跨文化写作 流散

领　　域： [文学—中国文学]