作　　者： ;

机构地区： 嘉应学院文学院

出　　处： 《中国文学研究》 2006年第4期61-64,共4页

摘　　要： “和”是中国古代美学中的一个重要范畴,是人类在改造自然和改造社会的过程中认识、发展、形成的。在它的表现表现形态中音声相和的美学特征是阴阳调和与中正平和。中正平和即中和,它是和的最高境界。随着“和”由远古的生活现象向精神现象、美学现象的转化,音声相和在《诗经》诗、乐同体的建构中得到了内容和形式的完美统一。所以,《诗经》在造句长短、平仄组合、命声大小、押韵流转等方面以“和”作为审美取向。 ＂ Unity＂, an important category in Chinese ancient aesthetics, is recognized, developed and formed in the process man＇s reconstruction of the nature and society. The aesthetic characteristic of sound - tone unity is presented in reconciliation and neutralization between Yin and Yang, which is the highest state of mind. With the transfer of ＂unity＂ from far ancient physical phenomenon to spiritual and aesthetic phenomena, sound -tone unity is perfectly represented in the combined structure of poems and songs in the Book of Songs. Therefore, the aesthetic standards of the length of sentence, the combination of level and oblique tones, the pitch of the tone as well as rhyming in the Book of Songs are all decided by ＂unity＂.

关 键 词： 诗经 音律 审美 和

领　　域： [文学—中国文学]