作　　者： ;

机构地区： 华中科技大学

出　　处： 《文化艺术研究》 2023年第3期73-81,115,共10页

摘　　要： 艺术作品都需要运用社会素材。阿多诺反对现实主义和自然主义处理素材的方法,因为其处理素材的方法缺乏阿多诺所期待的反思的要素。而现代主义艺术作品则包含了这种反思要素。它吸收社会素材,又扬弃社会素材。虽然古代思想家也看到了艺术创作需要用净化和升华的方法来处理社会素材,但是净化和升华也面临着如何对待粗俗东西的问题。艺术作品既不能高傲地对待粗俗的东西,也不能赞美自己的高雅。这两种情况都属于升华的失败。在艺术创作中,客观地利用题材反而会使把握真理的企图成为幻象。阿多诺主张,艺术创作可以借助意识形态而到达真理。要做到这一点,就需要进行第二次反思。通过第二次反思,社会素材被剔除了社会意义而又返回社会意义。 The creation of artworks relies on social materials.Adorno opposed the methods of dealing with materials in realism and naturalism,as they lacked the reflective elements he expected.In contrast,modernist artworks incorporate reflective elements,absorbing and sublimating social materials.While ancient thinkers also acknowledged the need to purify and elevate social materials in artistic creation,they struggled with handling vulgar elements.Artworks shouldn't dismiss vulgar things arrogantly or praise their own elegance,as both approaches fail in sublimation.In artistic creation,the objective use of subject matter can result in a missed opportunity to grasp truth.Adorno argued that artistic creation can attain truth with the assistance of ideology,requiring a second reflection.Through this second reflection,social materials are detached from their social characteristics and regain social meaning.

关 键 词： 艺术创作 社会素材 升华 反思 阿多诺

领　　域： [艺术—艺术理论]