作 者: ;
机构地区: 中山大学国际关系学院
出 处: 《创新》 2016年第2期5-13,2,共9页
摘 要: 作为故事新编的创制之一,鲁迅的《复仇(其二)》其实也存有意义的狂欢,也即复仇"现在"的三重性:一是故事指向,复仇大众中的悲悯渗透;二是鲁迅的现实关怀,既有兄弟失和的多层次折射,同时又可能关联了中国现实语境,既包括批判黑暗压抑,又涵容了对启蒙者受难悖论的惋惜;三是鲁迅面对宗教,也坚持一种有血有肉的现在哲学。《复仇(其二)》中既有一种从"神之子"到"人之子"的被动羞辱,又有类似流动方向的主动安置,这也寄托了鲁迅对宗教的独特认知。 As one of the creations of Old Stories Retold, Lu Xun's Revenge(Ⅱ) has the sense of carnival, namely the triple aspects of Revenge. First, the story is pointed to the sympathy for the masses. Second, Lu Xun had the realistic care, both the multi-layer reflection of brothers' estrangement and the relevance to realistic context of China. Lu Xun criticized the darkness of repression and his sympathy for the sufferers. Third, in the face of religion, Lu Xun still stuck to the fresh philosophy.The Revenge(Ⅱ) has the humiliation from "the son of God" to "the son of man". The story also shows Lu Xun's unique recognition of religion.
领 域: [文学—中国文学]