作　　者： ;

机构地区： 中山大学中国语言文学系珠海

出　　处： 《华文文学》 2016年第2期50-57,共8页

摘　　要： 在全球化语境下的社会里,20到30岁的年轻女性已经成为不可忽视的社会组成部分。她们往往是最能消费文学的群体之一,一些女性写给女性看的文学形式悄然兴起,渐渐引起关注,这就是所谓的"鸡仔文学"。韩国的"Chick-Lit"这一概念最早产生于2000年,从2003年以可爱淘的作品为代表的韩国流行小说风靡中国出版市场以后,针对年轻女性读者的韩国鸡仔文学也在中国引进出版。韩国鸡仔文学作为一种大众文化产品,较好地满足了读者的需求。但韩国鸡仔文学也有其缺点,本文简略地展望它可能的发展前景。 In a globalized context, women aged between 20 and 30 have become an unignorable part of the society as they are a group much given to consuming literature. As a result, a kind of literature, known as‘Chick Lit＇, has emerged that women write for women and that has caught attention. The concept arose in as early as 2000 in South Korea. When South Korean pop fiction, represented by Guiyeoni, swept the Chinese market in 2003, South Korea＇s Chick Lit, targeting young women, was also introduced to China. As a product of mass culture, While it meets the demand of the readers, South Korea＇s Chick Lit has also its own problems. This article seeks to briefly look forward to its possible development in the future.

关 键 词： 消费社会 后女性主义 鸡仔文学 韩国鸡仔文学 文化接近性

领　　域： [文学—文学理论]