作　　者： ;

机构地区： 广州美术学院

出　　处： 《江南大学学报：人文社会科学版》 2011年第3期 125-128,F0003,共5页

摘　　要： 朱志荣的中国艺术美学研究立足于古代艺术和文明遗存,综合吸取考古学、人类学和艺术史的研究成果,以实证研究直接考察和分析器物的造型、纹饰和风格等,提炼出中国古代审美意识的基本特征。他重视从审美意识的起源出发,认为艺术中审美的思维方式是从混沌的思维整体中逐步独立出来的。同时,他注重中国艺术理论体系的建构,以艺术的＂主体心态＂为中心,他将传统艺术理论串连成一个完整自足的体系,为中西方理论的对话提供了条件,并进一步阐释了传统艺术当代生存的方式与状态。 Zhu Zhi-rong＇s Chinese Art Aesthetics was based on the remains of ancient art and civilization,and absorbed the achievements of archeology,anthropology and art history.The empirical studies have directly examined and analyzed the shape of objects,ornamentation and style to refine the basic features of aesthetic sense in ancient China.He attached great importance to the origin of aesthetic consciousness.He thought that aesthetic thinking was gradually separated out from the overall chaos.At the same time,he focused on the construction of the theoretical system of Chinese art.Take the ＂subject mentality＂ as the center,he linked up the traditional art theory into a complete self-contained system,which is the condition for the dialogue between Chinese and western theories and further explained the contemporary style and status of the traditional art.

关 键 词： 实证研究 审美意识 天人合一 当代意识

分 类 号： [J01]

领　　域： []