作　　者： ;

机构地区： 深圳大学

出　　处： 《中国社会科学》 2007年第1期157-167,共11页

摘　　要： 在宋代文人的笔下，杖是一个经常被言及的对象。宋人笔下之杖名目繁多，而杖的材质、拿法、使用时所搭配的“行头”、使用环境、所做之事又有一定的类型偏向性。在宋人有关杖的描写中，寓含、附着了非常丰富的文化、审美心理信息。由“杖文学”的演变，我们可以清晰地看到中国文人人生态度、价值观念、审美意识、创作风尚的发展走势，看到其中所发生的选择性继承，由此也可让我们由小及大地看到文学史发展演变的相关作用因素。所以从某种意义上说，中国文人的杖，也储存着一部文学史，一部审美观念史，一部人生哲学史。 Canes appeared frequently and in great variety in the writings of scholars in the Song dynasty.Scholars had particular preferences about what the canes were made of,how they were grasped,what they were matched with,in what situations they were used,and what was done with them.Descriptions of the canes contain profound cultural and aesthetic information.Through the evolution of literature about the canes,we can clearly see trends in attitudes towards life,values,aesthetic consciousness and creative style of Chinese scholars and their selective inheritance of tradition.From this we can move from the particular to the general and see the relevant factors that played a role in the evolution of literary history.Thus we can say that in a certain sense,Chinese scholars' canes are a store of literary history,aesthetic concepts and the history of life philosophy.

关 键 词： 宋代文人 杖 文化

分 类 号： [I207.22]

领　　域： []