作　　者： ;

机构地区： 中山大学

出　　处： 《文艺理论研究》 2017年第2期29-36,共8页

摘　　要： 以往研究主要肯定了朱自清在现代解诗学、文学批评、文学研究学科化等方面的意义，多强调瑞恰慈、燕卜逊的语义学批评对朱自清鉴赏实践的方法论启示。但是，后五四时代的特定历史脉络表明，朱自清并非“为鉴赏而鉴赏”“为知识而鉴赏”，而是出于新旧文化政治冲突的焦虑而关注鉴赏教育。朱自清与顾随、朱光潜之间的两次文学事件，隐现出了朱自清在文学鉴赏的理论构建取径上的独特性：重分析轻趣味，重语义轻心理，最终兼重历史分析与审美分析。面对西方理论的接受选择，传统鉴赏诗学在朱自清的自我理解中以扬弃的方式起到了奠基性作用。为现代中国大众的人生而文学，是朱自清文学鉴赏观念的真正思想意涵。 Previous studies have primarily recognized Zhu Ziqing＇s significance in modern hermeneutics of poetry, literary criticism, the establishment of literary studies as a discipline, etc; and they tend to pay much attention to the influence of Richards and Empson＇s semantic criticism on Zhu＇s methodology of appreciation. However, in the historical context of post- revolution Zhu＇s literary appreciation is not just for ＂appreciation＂ or ＂knowledge＂, but originates from his anxiety about the cultural and political conflicts between the new and the old. That the two literary events between him and Gu Sui and Zhu Guangqian reveal Zhu＇s uniqueness on his theoretical framework of literary appreciation： he emphasizes analysis instead of taste, semantics instead of psychology; he also emphasizes historical and aesthetic analysis. With his selective reception of Western theory, Zhu, by drawing on both Chinese and Western experience, established his own poetics of appreciation. As a result, the true meaning of Zhu＇s literary appreciation is ＂Engaging in literature for life＂.

关 键 词： 朱自清 文学鉴赏 后五四时代 为现代 为中国 为人生

分 类 号： [I06]

领　　域： []