作　　者： ;

机构地区： 华南师范大学美术学院

出　　处： 《中国生漆》 2019年第4期6-12,共7页

摘　　要： 清代广产外销成扇中的髹漆图像浓缩了当时中国的文化景观,又迎合了西方人的趣味,凝练了中西结合的镜像。广州18至20世纪以十三行为贸易平台,大量出口外销漆扇。本文结合相关案例分析外销折扇髹漆图像的三种类型,一是常见主题,如植物、动物、中国山水、人物故事;二是中国特色题材,如"Mandarin"清装人物、唐宋文人形象等;三是中外意趣兼具的图案,如盾形开光、徽章纹样等,以期勾勒出清代广产外销漆扇图像内容的多元形态。 In the Qing Dynasty,the painted images in the exported fans were concentration of the cultural landscape of China at that time.They catered to the interests of Westerners,and mirrored the image of the combination of China and the West.From the 18 th to 20 th centuries,Guangzhou exported a large number of Lacquer painted fans on the 13 th trade platform.This paper analyzes three types of painting images based on exported fan images.One is the common theme,such as plants,animals,Chinese landscapes,character stories,the second is the theme with Chinese characteristics,such as"Mandarin"characters which are the officials of the Qing Dynasty,and the third is the pattern with both Chinese and foreign interests,such as shield-shaped light,emblem pattern,etc.Thus the paper outlines multiple forms of the image content of exported lacquer fans in the Qing Dynasty.

关 键 词： 髹漆 描金 满大人 开光 徽章

分 类 号： [J527;K249]

领　　域： []