作　　者： ;

机构地区： 华南师范大学

出　　处： 《民族艺术研究》 2017年第4期48-53,共6页

摘　　要： 从20世纪80年代到90年代,是中国改革开放和社会主义现代化建设进入加快发展的新阶段。随着市场经济的全面启动,＂现代化＂以丰富的物质形式进入普通人的日常生活;西方现代文化的中国化与传统文化的现代化也成为关系到新时期文化转型和发展现代新文化的重要问题。这一时期,＂中国现代舞＂的出现、正名与发展,标志着当代中国舞蹈在新时期的文化自觉与艺术创新。与此同时,我们还应认识到：＂现代舞＂不能简单地以时间划分,它以特定的历史内容为内涵,是一个历史概念,其实质是舞蹈艺术实现从传统向现代转换的＂革命＂与＂运动＂,这是对现代舞之＂现代性＂的根本体认与强调,也是对现代舞之＂中国化＂的基本定位与追求。 The period from the 1980 s to 1990 s is a new stage when Chinese reform and socialist modernization was accelerated. Along with the operation of market economy,＂modernization＂was realized in ordinary people＇s lives in the form of abundant materiality. The cinicization of Western modern culture and the modernization of traditional culture become an important issue related to the cultural transformation and the development of modern new culture in a new era. During this period,the appearance,naming and development of ＂Chinese modern dance＂symbolizes a cultural awareness and artistic creation of contemporary Chinese dance in a new era. At the same time,we realize that＂modern dance＂cannot be categorized according to the times; rather,it is a historical concept with specific history as the connotation. The nature of this issue is a ＂revolution＂and ＂movement＂in which the dance arts transformed from tradition to modernity. This understanding is not only a basic recognition and emphasis of the ＂modernity＂of modern dance,but also the basic position and pursuit of modern dance for ＂cinicization＂.

关 键 词： 现代舞 文化转型 艺术创新 传统文化 现代化

分 类 号： [J722.6]

领　　域： []