作　　者： ;

机构地区： 岭南师范学院

出　　处： 《湖南科技大学学报:社会科学版》 2019年第6期123-127,共5页

摘　　要： 中国绘画空间意象思想的提出始于魏晋南北朝时期宗炳的《画山水序》,至唐朝五代时期发展成熟。唐朝山水画的空间意象构图风格,经五代北宋画家的推波助澜,发展至鼎盛。五代北宋山水画较之唐朝山水画,更加注重对空间意象的布置安排,并通过对景物不厌其烦的布置安排,追求观赏者在游览时的趣味性,以营造可游可居的山水空间意境。 The idea of spatial image of Chinese paintings began from Preface of Painting Landscape by Zong Bing during the period of Wei,Jin and North-South Dynasties,and then matured during the Tang Dynasty and the Five Dynasties.The composition style of spatial image of the landscape paintings in the Tang Dynasty was promoted to the heyday by the painters in the Five Dynasties and Northern Song Dynasty.Compared with those of the Tang Dynasty,the landscape paintings of the Five Dynasties and Northern Song Dynasty pay more attention to the arrangement of space images,thereby in pursuit of the tour amusement of the viewers,and creating an image of landscape space suitable for both visiting and living.

关 键 词： 五代 北宋 山水画 空间意象

分 类 号： [J01]

领　　域： []