作　　者： ;

机构地区： 汕头大学文学院

出　　处： 《汕头大学学报（人文社会科学版）》 2017年第10期16-21,共6页

摘　　要： 典故和意象分别是中国传统诗学的关键词,而典故与意象的结合不仅是梦窗词学理论的一项实践,更是梦窗词庞大意象群中的重要组成部分。典故意象系统的多样化运用折射出梦窗用典的不同手法。林逋、咏梅二句及孤山意象群体现了梦窗藏用典故核心词及揉词裂句的引用手法;红叶题诗典故在词作中的不同内涵、不同的表达方式体现出梦窗对典故强大的演化能力。梦窗词的典故意象自成系统,不仅通过重复利用典故塑造整体词作的词格,还在丰富、更新了传统意象系统之余,以缀连典故的方式开启了新的诗词欣赏方式。 Allusion and imagery are key words of Chinese poetics, the combination of allusion and imagery is not only a practice of Wu's poetics,but also an important part of his giant imagery group. The variety of Wu's allusive imagery system reflects his different ways of using allusions. His lines borrowed from Lin Bu and his Gu Hill imagery manifest his methods: concealing the core words of allusion and changing the sentence sequence.The different connotations and expressions of red leave story shows his power of evolving an allusion. The allusive imagery of Wu became a system,which formed his poetic style, enriched traditional imagery, and initiated a new way of appreciating poetry.

关 键 词： 梦窗词 艺术手法 吴文英 典故 意象 引用

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