作　　者： ;

机构地区： 广东医科大学外国语学院

出　　处： 《外语电化教学》 2014年第3期14-19,61共7页

摘　　要： 哲学以思维存在于语言中,又通过语言表达出思维.以图像、图形、声音、文字、构图等多种媒介符号交织的多模态交际,使得文字在意义表达上的符号垄断地位被逐渐削弱,视觉感知被赋予了超出文字之上的感性特权.多模态隐喻意义的生成和表达方式在维度上远超单一文本隐喻.从意义建构的认知理据来看,多模态隐喻是身体、感知、体验、大脑和心智的共同产物,是以体验哲学为基础研究人类心智和认知的哲学方法.意义、表达与结构的三维统一,形成了当代哲学与中国古代哲学的一个重要思辨,而多模态隐喻意义的建构也正是在这一统一过程中完成的. Philosophy exists in language in form of mind and expresses thoughts in language in daily life. Multimodal communication, with the interleaving of image, graphics, text, sound, picture and other modes of symbol, gradually weakens the symbol monopoly of text in meaning but visual perception is given the privilege of sensibility beyond text. The generation and expression of multimoda｜ metaphor meaning have surpassed single text metaphor in dimension and the combination of image and text creates a stylistic effect of visual image, making the language research expand and extend into broader areas of communication. The integration of three dimensions in meaning, expression and structure forms a significant speculation on contemporary and ancient Chinese philosophy, and the construction of muhimodal meaning is completed in this integration.

关 键 词： 多模态隐喻 认知理据 意义构建 体验哲学

分 类 号： [H319.3]

领　　域： []