作　　者： (胡玉康）; (陈龙）;

机构地区： 陕西师范大学美术学院,陕西西安710119

出　　处： 《重庆社会科学》 2017年第7期110-115,共6页

摘　　要： 秦瓦当纹样作为一种处于特殊时期的社会文化现象,根源于西北地区的民俗事象,又受各地外来民俗文化的广泛影响,体现出交融与互化的美学特征,是解读秦审美文化的一套密码。在秦统一六国到秦亡进程中,秦瓦当纹样的题材、形态、审美观念及其发展、演变规律等,揭示了秦民俗审美文化的意识形态、文化信仰、审美心理等诸多问题。对于秦民俗审美文化的研究与总结,有助于探索关乎当下以及未来民俗审美文化的传承与发展。 Qin eaves tile as a kind of social and cultural phenomenon in a special period, it is rooted in the folk customs in the northwest region, but also by the extensive influence of foreign folk culture, reflecting the aesthetic characteristics of integration and mutualization, is a set of passwords to interpret the Qin aesthetic culture. In the Qin reunification of the six countries to Qin death process, Qin tile when the pattern of the subject matter, form, aesthetic concept and its development, evolution of the law, revealing the Qin folk aesthetic culture of ideology, cultural beliefs, aesthetic psychology and many other issues. The study and summarization of the aesthetic culture of Qin folk can help to explore the inheritance and development of the aesthetic culture of the present and future.

关 键 词： 秦瓦当纹样 民俗审美文化 民俗文化 意识形态