作　　者： (韩沫）;

机构地区： 东北电力大学艺术学院,吉林省吉林市132000

出　　处： 《重庆社会科学》 2017年第7期122-127,共6页

摘　　要： 东方中国崇尚自律和谐的精神图景,早在上古时代便有萌芽。儒释道艺术文化中各种壁画、图腾、建筑环境的美学规范同中华文明的精神伦理有着内在的一致性。这里管窥儒释道艺术设计、建筑环境的文化现象,剖析中国传统艺术精神中哲学观、自然观的深层内涵,梳理出当代社会变革大潮下,人类面对传统文化应抱持的态度,探索传统艺术精神的当代传演,并尝试找到传统文化精神图景的再生之路。 The East China advocates the spirit of self-discipline and harmony, as early as in the ancient times it had been sprouted. The aesthetic norms that are various murals, totems, and architectural environments in Confucianism, Buddhism and Taoism are in accordance with the spirit of Chinese civilization. In this paper, it has a restricted view of cultural phenomenon of Buddhism and Taoism art design and ＇architectural environment, analyzes the deep connotation of philosophy and nature in the spirit of Chinese traditional art, to sort out that under the contemporary tide of social change, the human should hold the attitude for traditional culture, explore the contemporary transmission of traditional artistic spirit, and try to find the regeneration of the traditional euhure spirit.

关 键 词： 传统文化 精神内涵 美学范式 文化再生