作　　者： (胡宝华）; (刘立策）;

机构地区： 广西民族大学学报编辑部,北京100871

出　　处： 《民族学刊》 2017年第3期76-83,121-125,共13页

摘　　要： 花山岩画为先秦时期生活于广西左江流域的骆越人所创作。先秦时期,水稻种植已经成为骆越社会主要的经济来源,骆越社会由此形成的宇宙观、价值观及生活习俗、信仰仪式皆体现出稻作文化的特征。在花山岩画中,诸多图像元素体现出丰富的稻作文化特征,如"蛙形人""日芒纹"强调对青蛙、鸟的崇拜,"饰羽人"、行船图对太阳、江河的敬畏,以及人们与自然生态融为一体的祈愿。而花山岩画的作画地点选取,则直接与稻作生产仪式有着密切的联系,甚至花山岩画本身就是一种稻作生产的祭祀仪式。这些稻作文化记忆,有的形成了民间信仰的仪式活动,有的衍生出了民族节日。稻作文化强调人与自然生态融为一体的宇宙观,在当代社会依然极具生态环境保护价值。 In 2016, the ＂Zuojiang Huashan Rock Art Cultural Landscape＂ in Guangxi was in- scribed on the （UNESCO） World Heritage List, and became China＇s first rock art site to be in- scribed on this list. The rock art vividly represents the spiritual and social life of the ancient Luo Yue people who inhabited the area of the Zuo River from the 5th century B. C to the 2＂d century A. D. This article aims to analyze the specific relationship between the Huashan Rock Art and the culture of rice cultivation from the perspective of human in- teraction with the environment in eco-anthropolo- gy, and proposes that the Huashan rock paintings themselves represent the ritual ceremonies of rice production.

关 键 词： 花山岩画 骆越 生殖崇拜 稻作文明