作　　者： (陈水云）; (陆燊佳）;

机构地区： 武汉大学文学院,湖北武汉430072

出　　处： 《南阳师范学院学报》 2017年第8期59-65,共7页

摘　　要： 新世纪以来顾太清研究在传统方法之外,还采用性别研究、宗教文化研究、互文性研究等多种新视角,在诗词版本研究与文献整理、生平交游考证、诗词小说评析等方面取得了较为丰硕的成果。尤其值得注意的是顾太清戏曲家身份的重新发现与戏曲文本的回归面世。对此进行回顾、总结、反思,将有利于顾太清研究的进一步拓展,亦助益于清代女性文学史的深入书写。 Since the beginning of the new century, there have been many academic studies on Gu Taiqing （顾太清）,one of the top-ranked women poets of the Qing Dynasty especially known for her Ci-poetry. Besides conven-tional approaches, researchers have adopted a host of new perspectives to inform their research endeavors such as gender research, religious and cultural research, intertextuality research, et cetera, with fruitful achievements made in author5 s biography, textual criticism, collation of Gu ’ s Ci-poetry editions,appreciation of Gu 5 s representative poems, and so on and so forth. Particularly noteworthy are the rediscovery of Gu Taiqing5 s theatrical identity and the resurface of her opera texts. Therefore, a review, summary and rethinking of these new research developments will lay a solid foundation for further research into Gu Taiqing and her works and will also be beneficial to the writ-ing of the history of women literature in the Qing Dynasty.

关 键 词： 顾太清 女性 学术研究 综述