作　　者： (田紫卉）;

机构地区： 北京师范大学文学院,北京100875

出　　处： 《江苏经贸职业技术学院学报》 2017年第4期48-50,共3页

摘　　要： 文学作品中的梦境承载了作者的意图。梦境中一系列意象的营造,是为了在情节起伏中顺畅地传递观念、价值,是作者理性操控下的叙事载体与手段。梦境扩大了原有的叙事空间,在保持叙事节奏的同时,承担起心理描写或者预兆的功能。同时,梦暧昧、诡谲的特征,与心理活动复杂的特征和占卜奇诡的特征相契合,营造了朦胧的诗意美。普希金的《叶甫盖尼·奥涅金》与沈从文的《三三》这两部作品都通过梦境的营造,将矛盾冲突和内心挣扎的过程简化,在女主人公们命运转折的关键处,起到了"缓冲"的作用。 Dreams in the literary works convey the intention and purpose of authors. The reason for the construction of a series of imaginary situations in dreams is to deliver concept, sense of value and tendency through tortuous plots which is a narrating carrier and means under the rational control of the author. Besides,dreams broaden the original narrating structure, and undertake the function of mental description or omen, without breaking the narrating rhythm. Meanwhile, dreams with the characteristics of ambiguousness, vague and mystery, can create an implied poetic flavour,connected with the complicated mental activities and weird divination. In the stories Yevgeni Onegin by Pushkin and Sansan by Shen Congwen, by creating certain situations in dreams, authors can simplify the complicated conflicts or intricate inner struggles, all of which accord with the thinking patterns and judgement of the two heroines from the two stories, so as to serve as 44buffers^ for readers, at the point of fate turns of the heroines.

关 键 词： 叶甫盖尼 奥涅金 三三 梦境 意象