作　　者： (陈林侠）;

机构地区： 中山大学中文系,广州510275

出　　处： 《上海大学学报（社会科学版）》 2017年第4期32-42,共11页

摘　　要： 从20世纪80年代至今,日本电影在北美市场出现发展停滞、重复消费的现象。由于民族地理环境恶劣,生存空间有限,苦难成为该民族的原始意象,并在现代性竞争的刺激下扩大。日本传统文化在当下社会心理与精神的阐释中展现了力量,安慰了缺乏安全感、陷入焦虑的现代心灵,并使文本具备东方美学的形式特征,但也暴露出自我中心、本能的排外情绪、内外有别的集团意识等缺陷。日本战争片尤其如此。在苦难的故事语境中,该类型唤起忍耐/忠诚、崇死/献身等模棱两可的伦理观念,在无关政治的个体道德、情感的掩饰下,具有很强的隐蔽性。可以说,日本电影过于凸显苦难主题,从传统道德的层面遮掩了战争动机的意识形态,造成了不同观众对同一影片截然不同的理解。 Japanese films in the North-American market have suffered stagnation and repetitive consumption since the 1980s.Due to adverse national geographical environments and limited space of existence,the theme of tribulation represents the nation＇s primitive image and has magnified under the stimulus of the modern competition.The traditional Japanese culture expounded in the current psychological and spiritual illustration has demonstrated great strength in consoling the modern souls suffering sense of insecurity and anxiety,and made the texts distinctive with Eastern aesthetics in form,but on the other hand,weaknesses have also been exposed such as ego-centricity,instinctual anti-foreign sentiments and biased group awareness,particularly in the case of war films.In the tribulation stories in Japanese films,ambiguous ethical concepts like endurance,allegiance,lofty death and self-sacrifice are aroused,but the motives are concealed behind individual moralities and affections which seem irrelevant to politics.It is safe to say that due to the over projection of the theme of tribulation in Japanese films,the traditional morality has concealed the ideological aspect of war motives,causing totally different understandings at home and abroad.

关 键 词： 日本电影 北美市场 苦难主题 理解歧义