作　　者： (郭世轩）;

机构地区： 阜阳师范学院文学院,安徽阜阳236037

出　　处： 《海南热带海洋学院学报》 2017年第4期2-7,共6页

摘　　要： "诗可以怨"成为孔子之后诗歌自觉的审美情感追求和本体存在依据。"兴观群怨"成为诗歌诸种功能最为形象的表述,但"怨"却凸显为诗歌最基本的价值功能之一。"兴"为读者进入诗歌氛围的首要条件,使读者可以感受、观察、了解世界,形成社会共识,建构起和谐相处的公共空间。尤为重要的是达成心理情感的共鸣与互认,进而实现身心和谐、天人合一的"至乐"局面。陶渊明和嵇康的诗歌都很精彩地实现了这一审美价值。两位异代诗人在对亲子的谆谆告诫中达成了某种共识。从中我们不难发现他们之间存在着某种精神因缘和心灵契机。 ＂Poem can complain＂ becomes the conscious aesthetic emotional pursuit and ontological existence basis of the poetry after Confucius. ＂Xing Guan Qun Yuan＂ has become the most vivid expression of the functions of poetry, but ＂ Yuan＂ has been highlighted as one of the most basic values of poetry. ＂Xing＂ is the primary con- dition for readers to enter into the atmosphere of poetry, so that readers can feel, observe, and understand the world, form social consensus, and construct public space of harmonious coexistence. The most important thing is to achieve the psychological and emotional resonance and mutual recognition, thus realizing the ＂happiest＂ situa- tion of the harmony between body and mind, and the heaven and man being one. Tao Yuan - ruing and Ji kang＇ s poems all have achieved this aesthetic value brilliantly. The two poets in the different epochs reached some con- sensus on inculcating the parent - child. It is not difficult for us to find out that there are some kind of spiritual connection and the opportunity of the heart between them.

关 键 词： 诗 泄愤抒怨 情感融合 嵇康 陶渊明 诫子