作　　者： (邹建英）;

机构地区： 闽南师范大学,福建漳州363000

出　　处： 《龙岩学院学报》 2017年第4期64-67,共4页

摘　　要： 玛格丽特·米德将人类的文化分为三种基本类型:"前喻文化""并喻文化"和"后喻文化"。《呼兰河传》中的团圆媳妇与婆婆以不同的方式接收不同时期的文化:"前喻文化"对婆婆奏效,但对团圆媳妇却失效,这导致了婆媳冲突的发生;"并喻文化"的失衡与平稳,使婆媳冲突加剧;婆婆极力扼杀"后喻文化",团圆媳妇被折磨致死,婆媳冲突恶化。婆媳之间的代际冲突,正是在两代人或失衡或抗衡的相互作用下,推动着故事情节的发展。 Margaret Mead classifies human culture into three basic types, i.e. prefigurative Culture, cofigurative culture and postfigurative culture. The daughter Tuanyuan and her mother-in-law in Tales of Hulan River have experienced cultures of different periods in different ways： the prefigurative culture works on the mother-in-law,but doesn51 work on the daughter Tuanyuan,which leads to their conflicts; the imbalance and stability of cofigurative culture intensifies their conflicts; the mother-in-law is trying to snuff out the postfigurative culture and daughter - in - law is tortured to death, which makes their conflicts deteriorate. The intergenerational conflicts between mother and daughter - in - law promote the development of the story, which is driven by the imbalance or the balance of interaction between the two generations.

关 键 词： 呼兰河传 婆媳冲突 前喻文化 并喻文化 后喻文化