作　　者： (刘忠）;

机构地区： 上海师范大学人文学院,上海200234

出　　处： 《中州大学学报》 2017年第3期1-9,共9页

摘　　要： 中国新文学史上,《现代》有着非同寻常的地位,凭借对现代主义的译介和倡导引领当时的小说、诗歌创作,推动中国现代派文学的发展。《现代》的成功源自它在市场和艺术之间的游移,公众与同人之间的平衡。《现代》是市场与艺术、同人与公众的复合体,市场和艺术的巧妙配置让它成为20世纪30年代期刊界的一种特殊样态——市场的外衣、艺术的内质。《现代》就像它的名字那样,丰富而开放,不同的读者眼中有不同的《现代》。 In the history of Chinese new literature, Modern Magazine has an unusual position since it has led the creation of novels and poetries, as well as promoted the development of Chinese modem literature by translation and advocacy of modernism. The success of Modern Magazine stems from its cruising between market and art and its balance the public and the people. As a complex of market and art along with the public and the people, the in-genious configuration of market and art make it a special kind of periodical in the 1930s------ the surface of marketand the nature of art. Modern Magazine, rich and open just as its name implies, is interpreted diversely in the eyes of different readers and from different perspectives.

关 键 词： 现代 商业化 外衣 现代主义 内质