作 者: (张伟);
机构地区: 安徽农业大学人文社会科学学院
出 处: 《文艺理论研究》 2017年第4期188-195,共8页
摘 要: 作为视觉审美的常态对象,身体在"视觉转向"及其形构的现代审美机制中发生了多元嬗变。一方面,现代视觉机制深度消解了传统"身心二元"的既定内涵,强化了现代个体的身体意识,在提升身体审美旨趣的同时孕化了身体的资本效应,拓展了身体的消费表征,催生了"身体消费"的美学实践;另一方面,借助现代视觉传媒的技术支撑,现代视觉机制使权力对身体的规制更趋隐性,它造就了现代社会对身体的过度迷恋与膜拜,并营造了一种普泛的社会"窥视欲",在促进身体审美多元化的同时又衍生了普遍的身体焦虑。由此造成的身体的在场效应与精神意义的消解成为现代社会身体美学的又一话题。 As a common object of visual aesthetics,the body has experienced multiple turns in the modern aesthetic mechanism made possible by"visual diversion". On the one hand,the modern visual mechanism clears up the established connotation of the traditional "duality of the body and mind"and strengthens the body consciousness of modern individuals,which promotes the aesthetic purport of the body and in the meantime breeds the capital effect of the body,expanding the the consumption of the body,and giving birth to the aesthetic practice of "body consumption". On the other hand,with the help of the technology of modern visual media,the modern visual mechanism makes it more implicit for the restriction of the right to the body,which causes modern society's excessive obsession and worship to the body and generates a pervasive "prying desire " in society,promoting the diversification of body aesthetics and causing the general anxiety of body at the same time. Therefore,the resolution between the effect of body's presence and the significance of spirit becomes another topic of body aesthetics in modern society.