作　　者： (苏洋）;

机构地区： 淮北师范大学美术学院,安徽淮北235000

出　　处： 《湖北第二师范学院学报》 2017年第6期75-82,共8页

摘　　要： 文章针对中西方关于当代艺术时间切片划分的界定,例举了一些中西方当代艺术家的作品,并对这些艺术作品符号的转型从三方面来进行实证分析,观众感知这些当代艺术作品,调动了观众的多觉系统,让观众参与到作品的互动中,进一步缓和了艺术家与观众在意识形态上的关系,提升了观众对艺术作品的审美认知。 In the cultural development,contemporary art eliminates inherent limitations of the traditional painting,and artists challenge the limit of conventional opinion creating the artistic wonders in transformed from symbol carriers. These symbol carriers construct ideological framework and reveals the tension of art expression. This paper aims at defining the segmentation of contemporary art time in China and the western countries by illustrating some of the Chinese and western works of contemporary artists,and analyzing the transformation of symbols from three aspects. Audience perceive these contemporary art works,and the art works aroused the audience＇s multisensory system to involve the audience in the work,to further ease the relationship between artist and audience in the ideological and improve aesthetic cognition of the audience for works of art.

关 键 词： 中西 艺术作品 代表性 当代艺术 符号 转型