作　　者： (方红）;

机构地区： 南京大学

出　　处： 《外国文学研究》 2017年第4期116-124,共9页

摘　　要： 本文从美国非裔文学之源、话语"黑人性"与黑人文选经典化三个方面入手,提出《诺顿美国非裔文学选集》以喻指理论为文学史观,建构了黑人说话书本的历史,展示口语与文本彼此交融的黑人文学传统,突出非裔文学经典之间重复与修正的喻指关系。这部文学选集在跻身于美国文选经典之列的同时,亦成功颠覆了美国文学史的欧洲/白人中心论,体现出喻指言说既依赖又抗拒的批评姿态。 By exploring the origin of African American literature,its discursive blackness as well as the canonization of the black anthology,this paper proposes that Norton Anthology of African American Literature,with the Signifying Theory as its historical view of literature,establishes the black talk book tradition,revealing a literary tradition of the black vernacular penetrating into the black written texts.It highlights the signifying relation among the black classics in form of repeating and revising each other.By canonizing itself among the anthologies of American Literature,this anthology successfully subverts the Euro-centered and White-centered American literary history,revealing both reliance and resistance which are typical of the critical gesture of the signifying discourse.

关 键 词： 文学史 喻指 土语 说话书本 话语黑人性