作　　者： (王乐）;

机构地区： 上海大学文学院,上海200444

出　　处： 《安徽理工大学学报（社会科学版）》 2017年第4期76-80,共5页

摘　　要： 舒位是活跃于乾嘉诗坛的一位颇有盛名的诗人,他与王昙、孙原湘鼎足而立,并称"乾隆后三家"。近年来,有关舒位诗学研究的论文层出不穷,学术界对其诗学观、诗歌艺术等方面的研究皆已渐趋深入。然而舒位实际上是一个诗、书、画、戏剧兼擅的全才,因为材料的限制,有关其书、画、戏剧的研究相对诗学来说较为薄弱。尽管舒位留存下来的画作极少,但其《瓶水斋诗集》中收录了大量论画、题画诗,通过分析这些诗歌所反映出的绘画理论,并结合其与当朝画坛名流的交游情况,可以大致了解他的画学成就。 Shuwei was a famous poet in the middle of the Qing Dynasty, who was also good at calligraphy, paint-ing and drama. At present, the study of ShuweiJ s poems has been deepened, however due to the limitation of materials, the study of his calligraphy, painting and drama is relatively less, especially in painting, for his paint-ings were rarely preserved. However, by analyzing a lot of his poems on paintings in his poetry collection named PingShuiZhaiShiJi, and his interaction with the celebrities, it ＊ s still possible to find out his painting achieve-ments.

关 键 词： 舒位 绘画 题画诗 交游